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When the Emperor is wounded in battle he turns the running of the army to one of his generals(Donnie Yen), a man of absolute loyalty but uncertain birth. This doesn’t sit well with the Emperor’s nephew who kills the old man when he gets a chance. What the nephew doesn’t know is that, Donnie Yen was also made heir to the throne. The generals and the nephew don’t like this and Yen wanting to part of the politics makes the daughter of the emperor Empress. She takes the throne, vowing to go through the military training and lead her army. Of course the nephew doesn’t like that idea either and he begins to plot to take control of the kingdom by force.

A romantic action film with a triangle at its center (the empress is rescued by an inventor in the woods who doesn’t know who she is, and doesn’t let on he’s a great fighter. That pair falls in love while Donnie yen looks on longingly), this has some great fight sequences but suffers from a romance thats essentially a Cliff Notes version of emotion. The spectacle is here but the emotion really isn’t and what you get out of this film will depend upon what you bring to it. To me for the romance to work you have to be willing to fill in all of the blanks the film leaves unsaid. I couldn’t do it and just sort of waived my hand at the thought of much of the plot. Actually this is not a bad film, but its not a particularly remarkable one. Its very much like several recent martial arts films, Three Kingdoms springs first to mind, where the action sequences overwhelm the slender plot. Its one of what seems to be a trend where directors seem to think they can be brief with the plot so long as they are showy with the spectacle (The Promise anyone?). Forgive me I need a plot to drive the action.

Worth a look if you run across it say as a rental, but I would be hard pressed to really justify a 12 buck viewing in theaters. (This is going to be the first film screened as part of this years New York Asian Film festival which strikes me as rather an odd choice since its strangely unremarkable film to be part of a film festival. The film is neither the best nor the worst of its type, its just something thats unremarkable part of the middle of the pack)

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Watch An Empress And The Warriors Cast

Donnie Yen = Muyong Xuehu
Xiaodong Guo = Hu Ba (as Guo Xiao Dong)
Zhenghai Kou = Teng Bochang (as Kou Zhen Hai)
Kelly Chen = Yen Feier
Leon Lai = Duan Lanquan
Weihua Liu = King Yan (as Liu Wei Hua)
Shan Zhang = King Zhao (as Zhang Shan)
Bo Zhou = Ao Jia (as Zhou Bo)
Jie Yan = Prince Zhao (as Yan Jie)
Daichi Harashima = Young Muyong Xuehu
Yi-Yi Yang = Young Yan Feier (as Yang Yi Yi)
Zhonghe Zhou = Tribal Priest (as Chou Zhong He)
Asoka Liu = Tribal Priest’s Helper
Dong Dong Wang = Yan’s Official (as Wang Dong Dong)
Xinyi Liu = Yan’s Official (as Liu Xin Yi)

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Watch A Complete History of My Sexual Failures Description

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After such a promising start of a film asking some intriguingly deep and personal questions whilst at the same time being absolutely hilarious, why are we left with an hour of staged penis and erection jokes? The amateurish/improvised camera work and rough editing seemed to form the perfect window into Waitt’s world, and it was easy to accept his lazy talking head style for leading us through. It all seemed a perfect extension to his personality, explaining as much about him as does his grimy flat. We aren’t watching a Fellini masterpiece, we’re watching a graduation film by a student who woke up 10 years late for hand in. This extremely personalized style, together with the enthralling subject and Waitt’s amusing personality, promises to entertain on many levels.

The initial few meetings with ex girlfriends are great, seeing how they have moved on with their lives compared to him (you don’t even stop to think that he’s a filmmaker). We start to hear his faults as he turns the camera on himself in the most personal way, asking them what they remember from the relationships, what went wrong, why they split-up, etc. There is a beautiful and strange melancholic humour as we watch this character faced with a lost past that he seems to be stuck in and unable to face in a mature way (forget the film-making). This is accentuated by the fact that hardly any of the ex girlfriends want to be there or even see him (one talks from behind a screen, via a computer).

This section culminates in a scene where he meets a girl who left him after he couldn’t perform sexually. He does this in the hotel room where it happened and we feel we are in a crime scene as they talk it over. A great and funny scene and all the more hilarious as we realize the woman from the hotel is there, looking annoyed with this fact (and the fact that he is there at all). She gives her advice on the matter. It encapsulates and accentuates the feeling of the whole film to this point. He is in a place where he is unwelcome, revealing his most personal faults to whoever will listen. Brilliant.

After this the film gets preoccupied with his erection problems and something that could have been a funny subplot is turned into the main event. We are then faced with a number of staged scenes that force us to totally disregard any pretense of sincerity the film has previously suggested. He goes to the doctor and the persona we saw when he confronted his ex girlfriends: cheeky, oblivious schoolboy, is turned into a Euro Trash presenter as he sees how rude he can be whilst getting away with it. The following scenes just get worse. He goes to a psychiatrist and rather than talking about his problem he sings her a song about wanting to f*@k all the girls in the world, whilst not even being able to f*@k her. Following this he goes to a dominatrix to have his penis whipped. As a final solution he overdoses on Viagra, which takes him to the streets to ask 300 women if they will f*@k him, and as a result spends the night in a cell. I couldn’t think of a more effective way to lose an audiences sympathy for a person. These scenes belong in Jackass and made me wonder why I expected more. It seems to me that his comments about not having the material for a film were true, but desperate to keep it at feature length he sacrificed the initial brilliant idea for a much lesser one.

So, in the end, when Waitts finally visits the one girl who really meant something to him but finds out she is pregnant with another man’s child, how are we meant to believe his feelings for her and as a result feel sympathy for him? Through the entire middle section of the film we are faced with numerous staged scenes where he only just stops short of turning to laugh at the camera, so why accept this as real? We’re left feeling that he has been mocking everyone who took part…apart from her? I have to admit that the end scenes did strike a chord: The moment of a man realizing he has missed out on something special with someone he loves, a kind of tragic awakening, whilst at the same time meeting someone new. But to give it any credibility I would have to forget a large proportion of the same film.

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Watch A Complete History of My Sexual Failures Cast

Alexandra Boyarskaya = Herself
Danielle McLeod = Herself
Olivia Trench = Herself
Chris Waitt = Himself
Hilary Waitt = Herself

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Watch Capitalism: A Love Story Online Free Description

Michael Moore is back and he is back with a Bang! After films like Fahrenheit 9/11 and Bowling for Columbine, he comes up with this powerful tale of human emotions. Capitalism: A Love Story may easily be dismissed as a socialistically inclined flick, but it definitely raises questions which have always been there although they have seldom being acknowledged. As you watch this wonderful movie, you are literally forced to ask yourself, as to why less than ten percent of the population enjoys more than ninety percent of the wealth.

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As Moore puts to display a power packed story of blatant mistreatment of the lower class by the corporate big guys, you can actually feel the pain of the woman whose husband dies and the employer makes $5 million out of his death, through insurance. We feel the frustration and anguish of the workers in the plant, who is getting get laid off. The suffering of the family which is treated as criminals for getting evicted from their home creates lumps in your throat. Unlike what most people might think, Moore only raises an issue, which can never be said to be unjust; after all a demand for equality can never be considered to be unjust.

Watch Capitalism: A Love Story Online Free Cast

Thora Birch … Herself
William Black … Himself
Jimmy Carter … Himself (archive footage)
Congressman Elijah Cummings … Himself
Baron Hill … Himself
Marcy Kaptur … Herself
John McCain … Himself (archive footage)
Michael Moore … Himself
Sarah Palin … Herself (archive footage)
Ronald Reagan … Himself (archive footage)
Franklin Delano Roosevelt … Himself (archive footage)
Arnold Schwarzenegger … Himself (archive footage)
Wallace Shawn … Himself
Elizabeth Warren … Herself

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